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Until a few years ago, I was a calm pers...

Until a few years ago, I was a calm person. If you were going to offend me or verbally ______ me, I almost never lost it ______; of course I felt hurt, but I didn’t show it.

Then, one day, I met my husband and I fell ______ in love with him, a proud ______ who loudly discusses things even with himself when he’s not happy. Things, however, got worse for me when we started ______ on things. He seemed really angry and loud, while I seemed detached and polite. Truth is that I was ______ too, but I was used to not showing it on the outside. Fight after fight, he always acted as if nothing had happened a few minutes after each quarrel, while my moments of ______ discontent started to ______ more and more in time until they became hours, sometimes even days.

I felt this had to change and the conversation went ______ like this:

Me: “Either you change your ______ when we fight or I will start avoiding any discussion, otherwise this will ______ our relationship.”

Him: “Did you ______ the Mpemba Effect? If you put two ______ containers filled with the same amount of the same water into the ______ except that one has boiling water in it while the other one has water at ambient (周围的) ______, the boiling water will ______ faster than the ambient water. Baby, you have got to boil first, to cool down faster. That’s why the Italians live longer than Canadians.”

The connection he suggested is to be ______, but I have learned a fact I didn’t know, one that has ______ me to understand that if I’m angry about something or someone, for that anger to disappear, it has to be towards the ______ or otherwise it is like hiding the dust under the ______: your house might look clean, but it is not.

1.A. cheat    B. attack    C. defend    D. impress

2.A. in return    B. in time    C. in place    D. in public

3.A. steadily    B. reasonably    C. hopelessly    D. blindly

4.A. Italian    B. American    C. Canadian    D. Chinese

5.A. operating    B. disagreeing    C. living    D. working

6.A. struggling    B. controlling    C. boiling    D. accumulating

7.A. inner    B. abrupt    C. extra    D. distinct

8.A. disappear    B. expand    C. recover    D. withdraw

9.A. up and down    B. by and by    C. sooner or later    D. more or less

10.A. vision    B. viewpoint    C. attention    D. attitude

11.A. affect    B. compensate    C. mend    D. strike

12.A. hear about    B. learn from    C. worry about    D. hear from

13.A. mobile    B. similar    C. exact    D. relevant

14.A. basin    B. oven    C. freezer    D. pond

15.A. heat    B. level    C. environment    D. temperature

16.A. explode    B. burst    C. resist    D. freeze

17.A. suspected    B. indicated    C. proven    D. created

18.A. warned    B. inspired    C. recommended    D. forbade

19.A. outside    B. inside    C. public    D. rich

20.A. dustpan    B. carpet    C. roof    D. broom

 

1.B 2.D 3.C 4.A 5.B 6.C 7.A 8.B 9.D 10.D 11.A 12.A 13.B 14.C 15.D 16.D 17.C 18.B 19.A 20.B 【解析】本文主要讲的是一个女人遇到她的丈夫后和她丈夫之间发生的事情。后来,有一天,我遇到了我的丈夫,我无可救药地爱上了他,然而,当我们开始做不一致的事情时,事情变得更糟了,我的不满开始延伸到越来越多,直到他们变成小时,有事甚至是几天。 1.考查动词及语境的理解。句意:直到几年前,我还是一个冷静的人,如果你要冒犯我或者口头攻击我。副词修饰动词,且and前后的词相对应。 A. cheat 欺骗;B. attack攻击;C. defend捍卫;D. impress给人印象。故选B。 2.考查语境及短语的辨析。句意:我几乎从来没有在公众场合受伤过。此处的短语做状语修饰前面的动作,根据语境可判断。A. in return作为回报;B. in time及时;C. in place 在适当的位置; D. in public在公众场合。故选D。 3.考查语境及副词的辨析。句意:后来,有一天,我遇到了我的丈夫,我无可救药地爱上了他。此处的词修饰后面的动词love,应用副词。A. steadily稳定地; B. reasonably 有原因地;C. hopelessly无可救药地;D. blindly盲目地。故选C。 4.考查语境及名词的辨析。句意:一个骄傲的意大利人,在他不开心的时候,他大声的谈论着事情。根据前后文的衔接可得到。A. Italian意大利人;B. American美国人;C. Canadian加拿大人; D. Chinese中国人。故选A。 5.考查语境及固定搭配的应用。句意:然而,当我们开始做不一致的事情时,事情变得更糟了。A. operating运转;B. disagreeing不同意;C. living经历; D. working工作。Start doing sth开始做某事。故选B。 6.考查语境及形容词的辨析。句意:他看起来很生气,很大声,而我显得很超然,很有礼貌,事实上,我也很厌烦。此句为过去进行时,应用was+ing,现在分词形式。A. struggling奋斗; B. controlling控制; C. boiling 激动;D. accumulating积累。故选C。 7.考查语境及形容词的辨析。句意:打架之后,他总是表现出好像什么事都没发生,而我内心的不满的时刻变得越来越多。修饰名词需要形容词,根据句意可得到。 A. inner内心的B.abrupt突然的; C. extra额外的; D. distinct明显的。故选A。 8.考查语境及动词的辨析。句意:我的不满开始延伸到越来越多,直到他们变成小时,有事甚至是几天。Start to do sth开始做某事,并根据句子意思可得到。 A. disappear消失; B. expand 延伸; C. recover 恢复;D. withdraw撤销。故选B。 9.考查语境及短语的辨析。句意:我觉得这种谈话或多或少需要改变。此处的短语修饰后面的名词,并根据前后文的衔接得。A. up and down 到处;B. by and by不久以后;C. sooner or later迟早,早晚;D. more or less或多或少。故选D。 10.考查语境及名词的辨析。句意;要么你在打架的时候改变你的态度,要么我就开始回避任何讨论。人称代词后跟名词。A. vision视力,美景;B. viewpoint观点,看法;C. attention注意力; D. attitude态度。故选D。 11.考查语境及动词的辨析。句意:否则,这将会影响我们之间的关系。Will后加动词原形。 A. affect影响;B. compensate补偿;C. mend修补;D. strike罢工。故选A。 12.考查语境及动词短语的辨析。句意:你有听到 Mpemba 效应吗? A. hear about 听说,得知;B. learn from向...学习;C. worry about担心;D. hear from收到...的信。故选A。 13.考查语境及形容词的辨析。句意:如果你把两个相似的容器注满相同数量相同的水。修饰后面的名词需要形容词。A. mobile移动的;B. similar 相似的; C. exact精确的;D. relevant有关的。故选B。 14.考查语境及名词的辨析句意:如果你把两个相似的容器注满相同数量相同的水放进冰箱。 A. basin 水池;B. oven烤箱; C. freezer 冰箱; D. pond池塘。故选C。 15.考查语境及名词的辨析。句意:除了一个有沸水,另一个有水,看周围环境的温度。前面的词为形容词,后应跟名词。 A. heat压力; B. level水平;C. environment环境;D. temperature温度。故选D。 16.考查语境及动词的辨析。句意:沸水被冻的速度比周围的慢,你得先煮,在快一点冷却。Will后跟动词的原形。A. explode 暴露;B. burst 爆发; C. resist 抵制;D. freeze冷却。故选D。 17.考查语境及过去分词的理解。句意:他建议连接被证明,但是我学到了我不知道的事实。此句为被动语态,后应跟动词的过去分词。 A. suspected怀疑;B. indicated表明;C. proven证明;D. created创造。故选C。 18.考查语境及动词的辨析。句意:这个鼓舞我理解如果我对任何事或人生气,愤怒就消失了。此句的时态为现在完成时,则has+动词的过去分词。A. warned提醒;B. inspired 鼓舞;C. recommended 建议; D. forbade禁止。故选B。 19.考查语境及形容词的辨析。句意:它必须向外面或者隐藏下的尘埃。A. outside 外面的; B. inside里面的;C. public公众的;D. rich富裕的。故选A。 20.考查语境及名词的辨析。句意:就像藏在地毯下的尘埃,你的房子看起来干净,但事实并非如此。A. dustpan颠簸;B. carpet地毯;C. roof屋顶; D. broom扫帚。故选B。 【名师点睛】 一.重语境 完形填空着眼于整体理解,必须在对短文大意进行了解的基础上才能准确的推知答案。因此,需要注意上下句的逻辑关系以及整片文章的情节如(7)小题,根据“ Fight after fight, he always acted as if nothing had happened a few minutes after each quarrel, while my moments of ___7___ discontent”句意:打架之后,他总是表现出好像什么事都没发生,而我内心的不满的时刻变得越来越多。你要通过前后文才能得知答案。 重实词 完形填空的命题是在一句话中的关键词语上做文章。考查的词语大多是名词,动词,形容词,副词等实词,当然也不排除能左右文章内容的一些虚词,如介词,连词等。 A. hear about 听说,得知;B. learn from向...学习;C. worry about担心;D. hear from收到...的信。
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Coming face-to-face with your inadequacies can be painful, to say the least. It challenges the way that you believe people see you and even makes you question yourself. 1.. But handling negative feedback properly will not only make you look well-behaved, but it could eventually help you grow as a person. Here’s how to do it.

Be objective about criticism

Before you jump to conclusions and begin to challenge the other person’s opinion, take a step back and look at it allsidedly. 2., don’t immediately allow your emotions to get the better of you, but rather, take a moment to consider whether the criticism is at all accurate.3..

Be open to the idea of change

4.. And it may be because of a concept called “cognitive dissonance” (认知失调) that can prevent us from changing even when that’s what we need most. “People have a view of themselves or the world that they only seek to confirm, not adjust or change,” Dr. Benn, a psychologist explains. “They may ignore criticism because they wish to avoid having to change, or because it makes them feel bad, or because they feel it is not helpful.”

Ask questions

If you’re open to using the criticism as a springboard to improvement, you will likely need more information. The initial moment you hear the criticism may not be the best time to ask for more details. Your emotions will be riding high, and you may not be particularly willing to accept extra information. 5.. “Engage with the person who criticized you, asking what you can do differently or how you can do better,” says Dr. Benn. Even if you don’t agree with their advice, thank them and promise to consider it.

A. Most of us are pretty stubborn

B. When you can’t hear clearly

C. Next time you get a bad review

D. Your immediate reaction may be to defend yourself

E. But it’s best to avoid getting into an argument

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G. However, when you feel ready, it could be worth revisiting the subject with the person who criticized you

 

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Michael Herr, who has died aged 76, was the author of Dispatches (1977), the best book about the Vietnam War. It took Herr eight years to write Dispatches, in part because he went home from Saigon with a bad case of stress disorder. He had gone to Vietnam as a journalist for Esquire magazine. An American general asked him whether he was there to write about military fashion and humor. No. He wrote little for Esquire, but took advantage of the US government’s decision to allow journalists extraordinary access to go to war with the soldiers. He shared their discomforts and their fears, witnessed their death and recorded their language.

His own language, a stream of consciousness pulsing with energy, but masterfully controlled, captured the fear and the horror, but also the excitement, of the war in the jungle and paddy fields. He recorded with a connoisseur’s expertise (行家专长) such details as the many ways in which soldiers would wish each other good luck, and the degrees of madness that were considered acceptable.

The power of the book, perhaps, comes from Herr’s insistence on describing the war, or more precisely his own responses to it, rather than protesting against it. It also comes from the ceaseless accompaniment of two elements, drugs and music — more particularly rock music, and especially the music of Jimi Hendrix. Herr himself spent drug-fuelled weekends in a flat in Saigon, staring at an ancient French map of Indochina. He met soldiers with a left pocket full of Dexedrine, the “upper” (兴奋剂) officially administered by the army to get them into battle, and a right pocket full of “downers” (镇定剂) to get them through it.

Dispatches did not come out until 1977, when the country was beginning to have its mind on other problems, but it did more, perhaps, than any other book to freeze an image of despair and a sense of waste about the war, rather as the trench poets of 1914 —1918 did in Britain.

Herr also made vital contributions to two of the most influential Vietnam films Apocalypse Now and Full Metal Jacket. His work, in the book and the two films, has been seen as part of the process whereby the US came to see itself and its history no longer merely through traditional literature, but in sounds and images.

1.Why did Michael Herr go to Vietnam during the war years?

A. To join the soldiers in military actions.

B. To report military actions and advances.

C. To give an authentic account of the war.

D. To write about military fashion and humor.

2.Which of the following about Dispatches is true?

A. It truly reflects Herr’s responses to the war.

B. Music and drugs give the author inspiration.

C. Its language is casually selected and organized.

D. It fully describes Herr’s protest against the war.

3.US soldiers brought drugs with them during the war most probably because            .

A. they suffered stress disorder

B. they were addicted to drugs

C. they used them to cure the wounds

D. they exchanged them for music records

4.What can we learn from the last paragraph?

A. Herr directed two influential Vietnam films.

B. Herr’s work played a positive role in traditional literature.

C. Herr stopped writing after the book Dispatches was published.

D. Herr’s work offered Americans more ways to know themselves.

 

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“How are things back at the office?” one of the gentlemen in my bicycle tour group asked me as we were nearing the end of another lengthy ride through Croatia’s scenic countryside.

“I assume they are going fine,” I said. “I haven’t had any contact and I don’t plan to.”

“Your phone isn’t on?” he asked, incredulously. “You haven’t checked your email?”

“My phone is off and no, I’m not planning on checking email,” I said.

My wife Heidi and I took my children, Daniel and Rachel, on a two-week trip to Croatia, one of the most beautiful countries in the world. We made the choice to spend some of our money on this wonderful experience so we could spend time bonding with each other and the kids.

Why would I destroy the environment we had traveled thousands of miles to create by bringing my work environment into it? That would be counter-productive to everything I wanted out of this trip. If I worked during this experience, I would be taking time away from my family and sending them the message that work takes priority over them.

In addition to sharing this incredible experience, I wanted to take us all out of the activity-driven world we live in. If I had my cell phone on and was constantly searching out a wireless connection to keep up with office, I would just bring that hyper-connected environment into the peaceful, meaningful world I was trying to create.

In addition to creating life-long memories with my family, another wonderful thing happened as a result of this bike trip. As we were returning home, I was flooded with new ideas. I came up with concepts for nine blog posts and several ideas that I want to incorporate into my business.

Taking time off restored and rejuvenated me and allowed my creative spirit to really come to the surface. How can you accomplish that goal if you simply move the source of that stress to a different location?

1.From the conversation at the beginning of the text, we can infer that            .

A. the author had no access to the Internet during the tour

B. the gentleman was quite concerned about the author’s work

C. the author’s phone was off because he didn’t want to be disturbed

D. the speakers both experienced an unpleasant bicycle tour in Croatia

2.One of the purposes of the author’s Croatia’s bicycle tour is            .

A. to experience a primitive life without phone calls

B. to spend some time creating closer ties with his family

C. to tell his family that his work is more important for him

D. to escape from his boring work environment in the office

3.The underlined word “rejuvenate” in the last paragraph means “           ”.

A. drive one mad    B. make one more energetic

C. get one exhausted    D. cause one to lost temper

4.Which of the following may the author agree?

A. Playing delights us more than working.

B. Working is the foundation of happiness.

C. Cellphones and emails are helpful when we take a trip.

D. When working, work hard; when playing, play crazily.

 

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The Museum: The Charles Dickens Museum in London is the world’s most important collection of material relating to the great Victorian novelist and social commentator. The only surviving London home of Dickens (from 1837 until 1839) was opened as a museum in 1925 and is still welcoming visitors from all over the world. On four floors, visitors can see paintings, rare editions, manuscripts, original furniture and many items relating to the life of one of the most popular and beloved personalities of the Victorian age.

Opening Hours:

The Museum is open from Mondays to Saturdays 10:00-17:00; Sundays 11:00-17:00.

Last admission is 30 minutes before closing time.

Special opening times can be arranged for groups, who may wish to book a private view.

Admission Charges: Adults:£5.00; Students:£4:00; Seniors:£4.00; Children:£3.00; Families:£14.00 (2 adults & up to five children).

Group Rates: For a group of 10 or more, a special group rate of £4.00 each applies. Children will still be admitted for £3.00 each.

Access: We are constantly working to improve access to the Museum and its collection. Our current projects involve the fitting of a wheelchair ramp (活动坡道) for better access, a customer care kit and an audio tour for visitors with impaired vision. Our Handling Sessions are also suitable for the visually impaired. The Museum has developed an online virtual tour through the Museum. Click here to visit all the rooms in the Museum online.

Hire the Museum: The Museum can be hired for private functions, parties and many other social occasions.

Find Us: The Museum may be reached by using the following buses: 7, 17, 19, 38, 45, 46, 55, 243. And by these underground services: Piccadilly Line; Central Line. For a map, please click here. The British Museum and the Foundling Museum are within walking distance.

1.Compared to going there separately, if a family with two adults and four children go to the Museum together they will save            .

A. £22. 00    B. £14. 00

C. £11. 00    D. £8. 00

2.According to the passage, which of the following statements is true?

A. Anyone cannot hire the Museum for other uses.

B. Visitors with poor vision cannot enjoy the Museum.

C. The Museum is not very far from the British Museum.

D. In any case people cannot visit the Museum after 17:00.

3.The passage is probably from a            .

A. magazine    B. website

C. guidebook    D. newspaper

 

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Shopping for clothes is not the same experience for a man as it is for a woman.

A man goes shopping because he needs something. His purpose is settled and decided in advance. He knows what he wants, and his aim is to find it and buy it; the price is a secondary consideration. All men simply walk into a shop and ask the assistant for what they want. If the shop has it in stock (有现货的), the business of trying it on follows at once. All being well, the deal can be and often is completed in less than five minutes, with hardly any chat and to everyone’s satisfaction.

For a man, slight problems may begin when the shop does not have what he wants, or does not have exactly what he wants. In that case the salesman, as the name implies, tries to sell the customer something else. No good salesman brings out a substitute impolitely; he does so with skill: “I know this jacket is not the style you want, Sir, but would you like to try it on for size? It happens to be the color you mentioned.” Few men have patience with this treatment, and the usual response is: “This is the right color and may be the right size, but I should be wasting my time and yours by trying it on.”

Now how does a woman buy clothes? In almost every aspect she does so in the opposite way. Her shopping is not often based on need. She has never fully made up her mind what she wants, and she is only “having a look round”. She is always open to persuasion; indeed she is influenced by what the saleswoman tells her, even by what companions tell her. She will try on any number of things. What she wants is to find something that everyone thinks suits her. Contrary to a lot of jokes, most women have an excellent sense of value when they buy clothes. They are always on the lookout for the unexpected bargain. Faced with a roomful of dresses, a woman may easily spend hours going from one shop to another, to and fro. It is a tiring process, but apparently an enjoyable one. Most dress shops provide chairs for the waiting husbands.

1.The underlined sentence “the price is a secondary consideration” in the second paragraph means when a man is shopping            .

A. he buys things without considering its price

B. he buys whatever he likes without considering its value

C. he buys things of good quality even if they are very dear

D. he cares about whether the thing is what he needs first and then the price

2.What does a man do when he can not get exactly what he wants?

A. He usually does not buy anything.

B. So long as the style is right, he buys the thing.

C. He buys a similar thing because of the color he wants.

D. At least two of his requirements must be met before he buys.

3.What does the passage tell us about women shoppers for clothes?

A. Women rarely consider buying cheap clothes.

B. They welcome suggestions from almost anyone.

C. They try to buy clothes for more than its real value.

D. Women buy things without giving the matter proper thought.

4.What is the main difference between men and women shoppers?

A. Women buy more clothes than men.

B. Women bargain for their clothes, but men do not.

C. Men go shopping based on need, but women often not.

D. Men do not try clothes on in a shop while women do.

 

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