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“BEIJING, Sep. 10 (Xinhuanet)—The extra-...

    “BEIJING, Sep. 10 (Xinhuanet)—The extra-large model baby in the Spain Pavilion () was ‘conceived (构思)’ by a Spanish filmmaker,” Shi Yingying reports.

Visitors admiring the 6.5-meter-high giant baby, Miguelin, in the Spain Pavilion may be surprised to realize that it was not the concept of a famous designer or a group of groundbreaking engineers. It came from one filmmaker’s interpretation of the meaning of “Better City, Better Life”.

Spanish director Isabel Coixet developed the idea after being asked to contribute to Expo 2010 Shanghai.

“They asked me to do something to tell the Chinese audience about Spain in the future and the first thing jumping to my mind was a baby,” said Coixet. “If we really fight to have better cars, better cities and better lives, it’s for them—for our children.”

Despite her Spanish heritage, Coixet doesn’t focus on making Spanish films or using Spain as the setting. Fans of her various award-winning films, including My Life Without Me, The Secret Life of Words and Elegy, may not even be aware of Coixet’s Spanish background.

“The borders between countries are just illusion (假象),” said Coixet. “Some directors feel really comfortable telling stories that belong to their territory.”

But Coixet feels the opposite: “I’m more comfortable outside my country. It gives me a strange freedom.”

One of her favorite things about being a director is the freedom. “The thing is that the world is wide and this freedom lets you make films everywhere,” she said.

Coixet’s curiosity took her latest exploration and movie work to Japan. In the movie Map of the Sound of Tokyo, the Catalan actor Sergi Lopez is the owner of a wine shop in Tokyo, and Japanese actress Rinko Kikuchi is a young woman who works both as a fishmonger and as a hired killer.

The clash (冲突) of the two people’s very different worlds and the tango-like relationship they develop is just one representation of what Coixet is able to produce by mixing cultures.

While she doesn’t know if she will shoot a film in Shanghai, two things have caught her attention: Shanghainese women and crickets (蟋蟀).

After just arriving in the city, she was surprised by the mix of old Chinese culture in a booming metropolis. “Behind the skyscrapers, there is a flower and bird market with heaps of crickets and birdcages in,” she said. “I’m totally amazed with the city.”

1.The huge baby represents the idea that    .

A.our children are the new generation full of imagination

B.our children will develop the friendship between China and Spain

C.our children are our future

D.our children will understand the meaning of “Better City, Better Life”

2.We learn from the passage that Coixet’s award-winning films were set   .

A.only in Spain

B.only in Japan

C.mainly in the countries outside Spain

D.mainly in the countries within Europe

3.According to Isabel Coixet, a flower and bird market behind the high rises   .

A.shows people in Shanghai are living a rich life spiritually and materially

B.reflects prosperity of the market

C.indicates the Chinese people are leading a peaceful life

D.represents the traditional culture of China

4.From the passage we can learn that   .

A.Isabel Coixet is dissatisfied with the design of the extra-large model baby

B.a mix of different cultures is reflected in Isabel Coixet’s films

C.Isabel Coixet feels less comfortable while making films all over the world

D.Isabel Coixet designed the huge baby according to the requirement of a group of engineers

 

1.C 2.C 3.A 4.B 【解析】 这是一篇新闻报道。文章讲述了一位电影制作人为了诠释对“城市,生活更美好”的理解,制作了超大模型婴儿。 1. 细节理解题。由第二段“Visitors admiring the 6.5-meter-high giant baby, Miguelin, in the Spain Pavilion may be surprised to realize that it was not the concept of a famous designer or a group of groundbreaking engineers. It came from one filmmaker’s interpretation of the meaning of “Better City, Better Life”.”(在西班牙馆欣赏这只6.5米高的巨型婴儿米盖林的游客们可能会惊讶地发现,这并不是一位著名设计师或一群具有开创性的工程师的概念。它来自一位电影制作人对“城市,生活更美好”的诠释。)和第四段““They asked me to do something to tell the Chinese audience about Spain in the future and the first thing jumping to my mind was a baby,” said Coixet. “If we really fight to have better cars, better cities and better lives, it’s for them—for our children.””(科希特说:“他们让我做些事情,让中国观众了解西班牙的未来,我首先想到的是一个婴儿。”“如果我们真的为拥有更好的汽车、更好的城市和更好的生活而奋斗,那是为了他们——为了我们的孩子。”)可知这个巨型的婴儿代表“我们的孩子是我们的未来”。故选C项。 2. 推理判断题。由第五段“Despite her Spanish heritage, Coixet doesn’t focus on making Spanish films or using Spain as the setting. Fans of her various award-winning films, including My Life Without Me, The Secret Life of Words and Elegy, may not even be aware of Coixet’s Spanish background.”(尽管她有西班牙传统,科希特并不专注于制作西班牙电影或以西班牙为背景。她的各种获奖影片,包括《我没有我的生活》、《文字的秘密生活》和《挽歌》的影迷们,可能根本不知道科希特的西班牙背景。)可知科希特不做有关西班牙的影片,可推断出科希特获奖影片的背景主要在西班牙以外的国家。故选C项。 3. 推理判断题。由最后一段“After just arriving in the city, she was surprised by the mix of old Chinese culture in a booming metropolis. “Behind the skyscrapers, there is a flower and bird market with heaps of crickets and birdcages in,” she said. “I’m totally amazed with the city.””(刚到这座城市后,她对这个蓬勃发展的大都市里古老的中国文化的融合感到惊讶。“在摩天大楼后面,有一个花鸟市场,里面有成堆的蟋蟀和鸟笼,”她说。“我对这座城市感到非常惊讶。”)可知科希特感到惊讶的是在蓬勃发展的大都市里,融合着古老的中国文化,看见花鸟市场,可推断出高楼大厦背后的花鸟市场显示上海人在精神上和物质上都过着富裕的生活。故选A项。 4. 细节理解题。由倒数第三段“The clash (冲突) of the two people’s very different worlds and the tango-like relationship they develop is just one representation of what Coixet is able to produce by mixing cultures.”(两个人截然不同的世界的冲突以及他们发展出的探戈式的关系,只是科希特能够通过融合文化而产生的一种表现。)可知在科希特的电影中反映了不同文化的融合。故选B项。
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