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D (2017·新课标卷I) Some of the world’s most ...

D (2017·新课标卷I

Some of the worlds most famous musicians recently gathered in Paris and New Orleans to celebrate the first annual International Jazz Day. UNESCO( United Nations Educational, Scientific and Cultural Organization) recently set April 30 as a day to raise awareness of jazz music, its significance, and its potential as a unifying(联合) voice across cultures.

Despite the celebrations, though, in the U.S. the jazz audience continues to shrink and grow older, and the music has failed to connect with younger generations.

Its Jason Morans job to help change that. As the Kennedy Centers artistic adviser for jazz, Moran hopes to widen the audience for jazz, make the music more accessible, and preserve its history and culture.

Jazz seems like its not really a part of the American appetite, Moran tells National Public Radios reporter Neal Conan. What Im hoping to accomplish is that my generation and younger start to reconsider and understand that jazz is not black and write anymore. Its actually color, and its actually digital.

Moran says one of the problems with jazz today is that the entertainment aspect of the music has been lost. The music cant be presented today the way it was in 1908 or 1958. It has to continue to move, because the way the world works is not the same, says Moran.

Last year, Moran worked on a project that arranged Fats Wallers music for a dance party, just to kind of put it back in the mind that Waller is dance music as much as it is concert music, says Moran. For me, its the recontextualization. In music, where does the emotion(情感) lie? Are we, as humans, gaining any insight(感悟) on how talk about ourselves and how something as abstract as a Charlie Parker record gets us into a dialogue about our emotions and our thoughts? Sometimes we lose sight that the music has a wider context, says Moran, so I want to continue those dialogues. Those are the things I want to foster.

1.Why did UNESCO set April 30 as International Jazz Day?

A. To remember the birth of jazz.

B. To protect cultural diversity.

C. To encourage people to study music.

D. To recognize the value of jazz.

2.What does the underlined word “that” in paragraph 3 refer to?

A. Jazz becoming more accessible.

B. The production of jazz growing faster.

C. Jazz being less popular with the young.

D. The jazz audience becoming larger.

3.What can we infer about Morans opinion on jazz?

A. It will disappear gradually.

B. It remains black and white.

C. It should keep up with the times.

D. It changes every 50 years.

4.Which of the following can be the best title for the text?

A. Exploring the Future of Jazz     B. The Rise and Fall of Jazz

C. The Story of a Jazz Musician     D. Celebrating the Jazz Day

 

1.D 2.C 3.C 4.A 【解析】【文章大意】为提高人们对于爵士乐的重视程度,UNESCO把4月30日定为国际爵士日,然而这一行为还是没能挽救爵士乐。Jason Moran认为时代在进步,为了将老一代人和年轻一代人连接起来,爵士乐也应该不断进步。 1.细节理解题。根据第一段中的UNESCO( United Nations Educational, Scientific and Cultural Organization) recently set April 30 as a day to raise awareness of jazz music, its significance, and its potential as a unifying(联合) voice across cultures.可知UNESCO把4月30日定为国际爵士日是为了让人们重视爵士乐,意识到它的重要性以及它作为连接各文化的纽带之声的潜在功能,也就是为了让人们意识到爵士乐的价值。故选D。 2.推理判断题。根据前文Despite the celebrations, though, in the U.S. the jazz audience continues to shrink and grow older, and the music has failed to connect with younger generations可知尽管UNESCO为爵士乐设了纪念日,但美国的爵士乐听众依然在减少,并且年龄在老化,爵士乐没能将年轻一代人连接起来。再结合It’s Jason Moran’s job to help change that(是Jason Moran的工作是帮助改变那一情况)可推测that指代的是前文中爵士乐在年轻一代人中失去吸引力的现象。故选C。 3.细节理解题。根据第五段中的The music can’t be presented today the way it was in 1908 or 1958. It has to continue to move, because the way the world works is not the same可知Moran认为现在爵士乐不能以1908或1958年的方式来呈现,因为世界已经不同了,所以爵士乐必须不断进步,说明随着时代的发展,爵士乐也要跟上时代才不会被年轻一代所抛弃。故选C。 4.标题选择题。通读全文可知本文主要讲UNESCO为提高人们对爵士乐的重视而设立爵士日,但实际收效甚微。有人认为爵士乐应随着时代的进步而进步,否则它将失去对人们的吸引力,因此本文主要是探索爵士乐的未来,故选A。
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C

    On one of her trips to New York several years ago, Eudora Welty decided to take a couple of New York friends out to dinner. They settled in at a comfortable East Slide cafe and within minutes, another customer was approaching their table.

   Hey, arent you from Mississippi? the elegant, white-haired writer remembered being asked by the stranger. Im from Mississippi too.

   Without a second thought, the woman joined the Welty party. When her dinner partner showed up, she also pulled up a chair.

    They began telling me all the news of Mississippi, Welty said.I didnt know what my New York friends were thinking.

    Taxis on a rainy New York night are rarer than sunshine. By the time the group got up to leave, it was pouring outside. Weltys new friends immediately sent a waiter to find a cab. Heading back downtown toward her hotel, her big-city friends were amazed at the turn of events that had changed their Big Apple dinner into a Mississippi state reunion(团聚).

    My friends said: Now we believe your stories,’" Welty added. And I said:Now you know. These are the people that make me write them.’"

Sitting on a sofa in her room, Welty, a slim figure in a simple gray dress, looked pleased with this explanation.

I dont make them up, she said of the characters in her fiction these last 50 or so years. I dont have to.

Beauticians, bartenders, piano players and people with purple hats, Weltys people come from afternoons spent visiting with old friends, from walks through the streets of her native Jackson, Miss., from conversations overheard on a bus. It annoys Welty that, at 78, her left ear has now given out. Sometimes, sitting on a bus or a train, she hears only a fragment(片段) of a particularly interesting story.

1.What happened when Welty was with her friends at the cafe?

A. Two strangers joined her.

B. Her childhood friends came in.

C. A heavy rain ruined the dinner.

D. Some people held a party there.

2.The underlined word them in Paragraph 6 refers to Weltys _______.

A. readers       B. parties        C. friends     D. stories

3.What can we learn about the characters in Weltys fiction?

  A. They live in big cities.    B. They are mostly women.

  C. They come from real life.    D. They are pleasure seekers.

 

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B

Books are typically written first, then narrated (朗读) for audio books. Until now, Audible, the largest company of audio books, has begun asking well-known writers to create works specifically for audio, instead of inviting people to narrate already existing print books. It’s a new chapter for the book industry.

Audible now has about 30 totally new audio works in production. And it turns out that audio books, which have long been regarded as less important than e-books, have actually been doing quite well. They are a $1,000,000,000 industry, with more than 35,000 titles published in 2013 alone.

What promotes that progress is not only an evolution of technology, but more importantly, the rise of the celebrity (名人) narrator. Narrators are key to the success of an audio book and these days, producers are signing on more and more celebrities. Celebrities’ narration is like a private performance to customers, who get a feeling of closeness in listening to their voices. Many of the customers buy audio books based on the narrator. They will listen to anything a specific actor or actress reads.

That is why Audible is taking the risk of not producing print books at all but starting totally new audio works. There’s another reason why the company is expecting its risk-taking action to pay off: humans have been telling stories since the beginning of time. We are taking part in a little habit that goes back thousands and thousands of years before the first mark was ever made on a stone. Long before writing, people were telling each other stories and the audio book goes all the way back to that tradition. As Peter Allen sang softly in the 1970s, everything old is new again.

1.The "new chapter" (Para. 1) refers to a time of _________.

A. starting audio companies     B. producing new audio works

C. narrating print books for audio    D. creating electronic books

2.What does Paragraph 2 tell about audio books?

A. Their bright future       B. Their difference from e-books

C. Their great importance      D. Their previous production

3.Customers like celebrities’ narration because ______.

A. celebrities help them understand the stories

B. celebrities have more attractive voices

C. celebrities seem to be within their reach

D. celebrities have better narrating skills

4.Audible believes its risk-taking action will be rewarding because ______.

A. the action has lasted for a long time

B. customers play an active role in the action

C. the company has spent a lot on the action

D. the action agrees with the story-telling tradition

 

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A

What’s On?

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Do you know who’s playing in your area? We’re bringing you an exciting evening of live rock and pop music from the best local bands. Are you interested in becoming a musician and getting a recording contract(合同)? If so, come early to the talk at 730pm by Jules Skye, a successful record producer. He’s going to talk about how you can find the right person to produce your music.

Gee Whizz

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Come and see Gee Whizz perform. He’s the funniest stand-up comedian on the comedy scene. This joyful show will please everyone, from the youngest to the oldest. Gee Whizz really knows how to make you laugh! Our bar is open from 700pm for drinks and snacks(快餐).

Simon’s Workshop

500pm–730pm Wednesdays at Victoria Stage

This is a good chance for anyone who wants to learn how to do comedy. The workshop looks at every kind of comedy, and practices many different ways of making people laugh. Simon is a comedian and actor who has 10 years’ experience of teaching comedy. His workshops are exciting and fun. An evening with Simon will give you the confidence to be funny.

Charlotte Stone

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Fine food with beautiful jazz music; this is a great evening out. Charlotte Stone will perform songs from her new best-selling CD, with James Pickering on the piano. The menu is Italian, with excellent meat and fresh fish, pizzas and pasta(面食). Book early to get a table. Our bar is open all day, and serves cocktails, coffee, beer, and white wine.

1.Who can help you if you want to have your music produced?

A. Jules Skye.         B. Gee Whizz.  

C. Charlotte Stone.        D. James Pickering.

2.At which place can people of different ages enjoy a good laugh?

A. The Cyclops Theatre.       B. Kaleidoscope.

C. Victoria Stage.        D. Pizza World.

3.What do we know about Simon’s Workshop?

A. It requires membership status.        B. It lasts three hours each time.

C. It is run by a comedy club.      D. It is held every Wednesday.

4.When will Charlotte Stone perform her songs?

A.500pm–730pm.      B.730pm–100am.

C.800pm–1100pm.       D.830pm–1030pm.

 

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书面表达(满分25分)

假定你是李华,今年十月份即将去英国的布莱顿大学(Brighton University)留学。请给你在布莱顿的网友Tom写一封英文电子邮件,让他介绍一下布莱顿这座城市,告知他你的租房需求并请他帮忙租房子。

注意:

1.词数100左右;

2.可适当增加细节,以使行文连贯。

Dear Tom,

____________________________________________________________________________________________

____________________________________________________________________________________________

____________________________________________________________________________________________

____________________________________________________________________________________________

___________________________________________________________________________________________

Yours,

Li Hua

 

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短文改错(共10小题;每小题l分,满分10分)

    假定英语课上老师要求同桌之间交换修改作文,请你修改你同桌写的以下作文。文中共有10处语言错误,每句中最多有两处每处错误仅涉及一个单词的增加、删除或修改。

增加:在缺词处加一个漏字符号(),并在其下面写出该加的词。

删除:把多余的词用斜线(\)划掉。

修改:在错的词下画一横线,并在该词下面写出修改后的词。

注意:

1. 每处错误及其修改均仅限一词;

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Early one morning in April, 2014, it was raining hardly.1 was seating in my classroom by myself. "We shall soon leave Beijing and return back to Sichuan. You’ll say goodbye to your new classmates." That my father told me the other day sounded once again on my ears.

Although I had studied at school for only two months, I real loved everything there. What’s more, the teaching conditions here are many better than those in Sichuan. As a child which was born in Sichuan, I knew almost nothing about the world outside. Therefore, after I came to Beijing, I saw so many things I had never seen.

 

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