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Seventeenth-century houses in colonial N...

Seventeenth-century houses in colonial North American were simple structures that were primarily functional, carrying over traditional designs that went back to the Middle Ages.  During the first half of the eighteen century, however, houses began to show a new elegance.  As wealth increased, more and more colonist built fine houses.

Since architecture was not yet a specialized profession in the colonies, the design of buildings was left either to amateur (业余) designers or to carpenters who were engaged in translating architectural handbooks imported from England.  Inventories of libraries shows an astonishing number of these handbooks for builders, and the houses built during the eighteenth century show their influence.  Nevertheless, most household architecture of the first-quarters of the eighteenth century displays a wide divergence of taste and freedom of application of the rules laid down in these books.

Increasing wealth and growing sophistication (文化修养) throughout the colonies resulted in houses of improved design, whether the material was wood, stone, or brick.  New England still favored wood, though brick houses became common in Boston and other towns, where the danger of fire gave an impetus (推动) to the use of more durable material.  A few houses in New England were built of stone, but only in Pennsylvania and areas nearby was stone widely used in buildings.  An increased use of brick in houses and outbuildings is noticeable in Virginia and Maryland, but wood remained the most popular material even in houses built by wealthy landowners.  In the Carolinas, even in closely packed Charleston, wooden houses were much common than brick houses.

Eighteenth-century houses showed great interior improvements over the former ones.  Windows were made larger and shutters removed.  Large, clear panes replaced the small leaded glass of the seventeenth century.  Doorways were larger and more decorative.

Fireplaces became decorative features of rooms.  Walls were made of plaster or wood.  White paint began to take the place of blues, yellows, greens, and lead colors, which had been popular for walls in the earlier years.  After about 1730, advertisements for wallpaper styles in scenic patterns began to appear in colonial newspapers.

1.What’s the passage mainly about?

A.The improved design of eighteenth-century colonial houses.

B.A comparison of eighteenth-century houses and modern houses.

C.The decorations used in eighteenth-century houses.

D.The role of carpenters in building eighteenth-century houses.

2.What was one of the main reasons for the change in architectural style in eighteenth-century

North America?

A.More architects arrived in the colonies.

B.The colonists developed an interest in classical architecture.

C.Bricks were more readily available

D.The colonists had more money to spend on housing.

3.According to the passage, who was responsible for designing houses in eighteenth-century

North America?

A.professional architects

B.customers

C.interior decorators

D.carpenters

4.The passage implies that the rules described in architectural handbooks were ____________.

A.generally ignored

B.broken by professional architects

C.not strictly stuck to

D.only followed by older builders

5.The underlined word “divergence”欧 is closest in meaning to ________.

A.description

B.developing

C.difference

D.interest

 

1.A 2.D 3.D 4.C 5.C 【解析】:文章主要讲述的是18实际在殖民地的房屋建设方面的变化。 1.A 主旨大意题。文章主要讲述的是18实际在殖民地的房屋建设方面的变化。故A正确。 2.D 细节题。第一段最后一句As wealth increased, more and more colonist built fine houses;第三段第一句Increasing wealth and growing sophistication (文化修养) throughout the colonies都说明了财富的增加是房屋设计方面的变化的主要原因。故D正确。 3.D 细节题。根据第二段2,3行the design of buildings was left either to amateur (业余) designers or to carpenters who were engaged in translating architectural handbooks imported from England.说明木匠是推动发展的一个主要原因。故D正确。 4.C 推理题。根据第二段最后三行most household architecture of the first-quarters of the eighteenth century displays a wide divergence of taste and freedom of application of the rules laid down in these books说明在实际的建筑过程中有了很多的变化,故原有的设计规则并没有被坚持,故C正确。 5.C 猜测词义题。displays a wide divergence of taste and freedom of application of the rules laid down in these books中的divergence指对于原有规则的灵活运用现实出很大的区别,故这个词应该是指差异,故C正确。
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It’s high time someone spoke up for today’s college students.  They’re probably the most hardworking, ambitious people in America and their problems are not properly appreciated.

People like the Secretary of Education simply don’t know what they’re talking about when they knock students.  Nor do those who complain about falling academic standards.

The vast majority of the nation’s 12 million students are struggling to pay for their educations.  They are part of the invisible workforce.  Many hold down full-time jobs.  They’re frying hamburgers, photographing weddings, working in construction, and waiting on tables.  The fact that they even show up for classes is a wonderful event.

The financial situation of most students explains a lot about what is happening in schools.  Why are the traditional courses so unpopular?  Why are students flocking to accounting and computer science and any professional programs that seem to lead to careers?

Answer: Today’s working student has been forced into a kind of premature matter-of-fact way of viewing things.  Romance is gone.  The notion of transforming one’s self through study alone has disappeared.  Today’s students seek freedom from manual labor, and the status conferred by a good job.

There are other consequences.  Today’s students don’t have much time or energy to be devoted, and carry out independent research or even do serious homework.  That’s the secret behind falling academic standards.  Students have become consumers.  They want grades and certifications.  Their professors can’t be expected to give a grade of failure to students who are clearly tired from the effort to pay their bills.

There’s a lot wrong with this situation.  It’s twisting the definition of education out of shape.  Worse, it’s creating a generation that is totally unpleasant.  The brightest students turn out to be yuppies (雅皮士).  The vast majority are, at least, good-natured semi-literates.

The time has run out for philosophical debates about fixed courses of study.  What this country needs is someone to stand up and say that being a full-time student during one’s formative years is an honorable calling worthy of support.  If families can’t or won’t give it to their children, then the government should.

1.The author’s purpose in writing this article is to __________.

A.awaken the whole society to the problems today’s college students face

B.warn Americans that academic standards are falling

C.advise college students to study hard

D.provide a suggestion that only full-time students be enrolled

2.The most suitable word to describe the author’s feelings about today’s college students  is _________.

A.criticize

B.sympathize

C.complain

D.urge

3.Which of the following cannot be learned from the passage?

A.Many students are often absent from classes.

B.Traditional courses are not popular.

C.Students commit crimes with computers.

D.Students don’t devote much time and energy to their homework.

4.By saying “Romance is gone” in paragraph 5, the author means ____________.

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B.today’s students become more practical in dealing with things

C.students think there is no affection any more and break up with their lovers

D.today’s students hold matter-of-fact opinions on love

5.Which of the following suggestions will the author not agree with?

A.We should encourage students to give up full-time jobs.

B.Families should offer their children more help financially.

C.We should stand up and say something for today’s college students.

D.We should make more strict regulations to force students to study hard.

 

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The teacher was leaving the village, and everybody seemed sorry.  The miller at Cresscombe lent him the small cart and horse to carry his goods to Christminster, the city of his destination, such a vehicle proving of quite enough size for the teacher’s belongings.  For his only article, in addition to the packing-case of books, was a piano that he had bought when he thought of learning instrumental music.  But the eagerness having faded, he had never acquired any skill in playing, and the purchased article had been a permanent trouble to him.

The headmaster had gone away for the day, being a man who disliked the sight of changes.  He did not mean to return till the evening, when the new teacher would have arrived, and everything would be smooth again.

The blacksmith, the farm bailiff and the teacher were standing in confused attitudes in the sitting room before the instrument.  The teacher had remarked that even if he got it into the cart he should not know what to do with it on his arrival at Christminster, since he was only going into a temporary place just at first.

A little boy of eleven, who had been assisting in the packing, joined the group of men, and said, “Aunt has got a fuel-house, and it could be put there, perhaps, till you’ve found a place to settle in, sir.”

“Good idea,” said the blacksmith.

The smith and the bailiff started to see about the possibility of the suggested shelter, and the boy and the teacher were left standing alone.

“Sorry I am going, Jude.” said the latter gently.

Tears rose into the boy’s eyes.  He admitted that he was sorry.

“So am I,” said Mr. Phillotson.

“Why do you go, sir?” asked the boy.

“Well ----- don’t speak of this everywhere.  You know what a university is, and a university degree?  It is the necessary hallmark of a man who wants to do anything in teaching.  My scheme, or dream, is to be a university graduate.  By going to live at Christminster, I shall be at headquarters, so to speak, and if my scheme is practicable at all, I consider that being on the spot will afford me a better chance.”

The smith and his companion returned.  Old Miss Fawley’s fuel-house was practicable; and she seemed willing to give the instrument standing-room there.  So it was left in the school till the evening, when more hands would be available for removing it; and the teacher gave a final glance round.

At nine o’clock Mr. Phillotson mounted beside his box of books, and waved his friends good-bye.

1.It can be inferred that the teacher _______.

A.was not getting on well with the headmaster

B.had lived a rather simple life in the village

C.was likely to continue to practice playing the piano

D.would get a rise in the city on arriving there

2.The motivation of the teacher’s moving lay in his _________.

A.ambition

B.devotion

C.admiration

D.inspiration

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A.polite, generous and cheerful

B.active, modest and friendly

C.kind, bright and helpful

D.calm, confident and humorous

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A.love for music and his dislike for musical instruments

B.hard work in the village and his strong interest in city life

C.friendship with some villagers and also conflicts with others

D.eagerness to go to the city and his love for the village

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C.The bailiff

D.The headmaster

 

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Susan Sontag (1933 ------ 2004) was one of the most noticeable figures in the world of literature.  For more than 40 years she made it morally necessary to know everything----- to read every book worth reading, to see every movie worth seeing.  When she was still in her early 30s, publishing essays in such important magazines as Partisan Review, she appeared as the symbol of American culture life, trying hard to follow every new development in literature, film and art.  With great effort and serious judgment, Sontag walked at the latest edges of world culture.

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By conviction she was a sensualist (感觉论者), but by nature she was a moralist, and in the works she published in the 1970s and 1980s, it was the latter side of her that came forward.  In Illness as Metaphor ------published in 1978, after she suffered cancer ------ she argued against the idea that cancer was somehow a special problem of repressed (被压抑的) personalities, a concept that effectively blamed the victim for the disease.  In fact, re-examining old positions was her lifelong habit.

In America, her story of a 19th century Polish actress who set up a perfect society in California, won the National Book Award in 2000.  But it was as a tireless, all-purpose cultural view that she made her lasting fame.

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D.kept pace with the newest development of world culture

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D.her book Illness as Metaphor

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C.How Susan Sontag became famous

D.An introduction to Susan Sontag and her watchword

 

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